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kikuchiyo
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« on: Tue, January 4, 2005, 15:43:23 »

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Entertainment - AP


Comic Book Pioneer Will Eisner Dies at 87

Tue Jan 4, 6:16 PM ET  

By JOHN PAIN, Associated Press Writer

MIAMI - Will Eisner, the artist who revolutionized comic books, helped popularize the graphic novel and taught generations of soldiers how to maintain their equipment with the "Joe Dope" series, has died. He was 87.


AP Photo

 

Eisner died Monday at Florida Medical Center in Lauderdale Lakes of complications from quadruple bypass heart surgery last month, according to Denis Kitchen, Eisner's agent and publisher for three decades.


"He was absolutely the greatest innovator the industry ever saw," Kitchen said.


Eisner started making comics in the 1930s and was the first to use "silent" balloonless panels to emphasize characters' emotions by focusing attention on finely wrought facial expressions.


He addressed subjects considered unthinkable in comic books and rarely seen at the time in newspaper comics: spousal abuse, tax audits, urban blight and graft.


"He set not only a high standard of work, he has opened the door that very few people have gone through, which is to recognize comics as a legitimate storytelling medium," said Max Allan Collins, whose graphic novel "Road to Perdition" was turned into a movie starring Tom Hanks (news).


The graphic novel is a genre that combines elements of comic books and literary novels. His first, "A Contract with God," was published in 1978 and had stories of his childhood and the immigrant Jewish experience in a poor Brooklyn tenement.


"He had a real capacity to bring hope to the most dire circumstances ... the toils of immigrant life," said Robert Weil, an executive editor at W.W. Norton, which is publishing two Eisner books this year.


In 1940, he created a gritty weekly newspaper supplement titled "The Spirit," which at its height had a circulation of 5 million in 20 Sunday newspapers. The supplement consisted of a comic book with three self-contained stories, and "The Spirit" became the most popular.


Its title character was a coroner named Denny Colt, believed murdered by a mad scientist's potion but actually buried alive. He protected the fictional Central City, which was based on New York.


But the series' lead character usually took a back seat to others. "The stories would focus not necessarily on 'The Spirit,' but on some poor average Joe who was having a bad day," Collins said.


Eisner "had been producing comic books for 15-year-old cretins from Kansas," he told The Associated Press in a 1998 interview. With "The Spirit," he was aiming for "a 55-year-old who had his wallet stolen on the subway. You can't talk about heartbreak to a kid."


Eisner used moody shadows and drew panels mimicking camera angles from movies to give the book an edge.


"He was a master of combining words and pictures, creating a totally believable film-noirish world," said cartoonist and playwright Jules Feiffer, who worked as an assistant on "The Spirit" series.


Eisner was drafted during World War II, and the Army had him create "Joe Dope" to teach Jeep maintenance to soldiers with a bumbling comic-strip character.


After the war, he went back to "The Spirit" and continued the series until 1952. The Army also hired him for more instruction manuals, which he produced until the 1970s, Kitchen said.


"Will was a multi-faceted treasure," said Paul Levitz, president and publisher of DC Comics, which has released reprints of "The Spirit." Eisner was "a pioneer as a cartoonist as well as a young entrepreneur at the dawn of comic books."



He will be missed by all.
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pctchuck
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« Reply #1 on: Tue, January 4, 2005, 17:16:26 »

The loss of another legend, and I hope it doesn't end up being a tree falling in silence in the woods.  I've read a few of Mr. Eisner's stories and was amazed by the ease that they read.  Prayers for his family....
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« Reply #2 on: Tue, January 4, 2005, 20:23:36 »

:'( :'( :'(

I think Neil Gaiman described it best this way: '[When I was nineteen,] as a young journalist, I was very jealous of my schoolfriend Geoff Notkin who was studying at the school of Visual Arts in New York, under Will Eisner himself. This seemed almost unfair somehow, like getting God in to run your Bible Studies Group.'

I couldn't agree with him more. Gonna miss you, old man.

« Last Edit: Tue, January 4, 2005, 20:45:57 by Nishiko » Logged

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« Reply #3 on: Wed, January 5, 2005, 20:24:28 »

Wow, that is sad news indeed.  I so totally agree with Neil Gaiman.  Nishi, Sandman fan much?  Ever watched Neverwhere?  
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« Reply #4 on: Sun, January 9, 2005, 10:20:57 »



From Scoop: http://scoop.diamondgalleries.com/scoop_article.asp?ai=7363&si=121

Comic book pioneer Will Eisner passed away on January 3, 2005 at the age of 87. The creator of The Spirit, co-founder of the Eisner-Iger Studio, and one of the fathers (if not the father) of the modern graphic novel died following a December 22, 2004 quadruple bypass heart surgery.

Working early in the era when comic books changed from the reprints of newspaper strips they had been for their first five decades to featuring new material, Eisner became a pivotal figure in the industry, both as an influential creator and as a farsighted businessman.

"Eisner, who was born in New York on March 6, 1917, published his first comic in 1936 in a publication called Wow, What a Magazine! There, he met Jerry Iger, and together they created a comic book outfit that employed, among other artists, Bob Kane, the creator of Batman, and Jack Kirby, one of the creators of the Fantastic Four and several other Marvel Comics heroes," wrote Sarrah Boxer of the New York Times. "Eisner also had the bad fortune of turning down a comic called Superman by Jerry Siegel and Joe Shuster."

After co-creating the popular characters Sheena, Queen of the Jungle and Blackhawk and others, Eisner sold his interest in the Eisner-Iger Studio to partner Jerry Iger and struck out on his own.

He developed his own comic magazine insert for newspapers, a collection of strips including his most famous creation, The Spirit. With his Spirit sections, which ran in newspapers across the United States from 1941 to 1952, Eisner reached up to about 5 million readers every Sunday. More importantly in terms of his influence, The Spirit stories from those sections are still considered revolutionary in their design. The non-standard Spirit logo was generally worked into the opening visual in a powerful way, and Eisner was not a prisoner of standard panel-per-page counts.

Eisner himself was absent from the strip between 1942 and 1945 while he served during World War II and again toward the end of the strip, when other creators such as EC's Wally Wood illustrated it. Although it ended in '52, the Spirit has regularly been reprinted as it finds appeal with successive generations.

"He addressed subjects considered unthinkable in comic books and rarely seen at the time in newspaper comics: spousal abuse, tax audits, urban blight and graft" John Pain wrote for the Associated Press.

Quality Comics published comic book versions of the material from 1944 to 1950, and then Fiction House did likewise from 1952 to 1954. After that, Harvey Comics printed the series 1966 - 1967. Kitchen Sink Press took up the Spirit 1973, was replaced by Warren Publications (1974 - 1976), and Kitchen Sink Press again published the character from 1977 to 1998. The material is now collected by DC Comics in a highly successful series of hardcovers.

Leaving behind the comics seen by most people did not mean leaving behind comics altogether for Eisner. He launched and supervised P.S. Magazine for the U.S. Army, a regular update on preventative maintenance that incorporated graphic storytelling with its presentation of the material. The Army continued to use his work through the '70s, when he returned to the comics field.

"Perhaps Eisner's most lasting legacy is the creation of the graphic novel with his 1978 publication of A Contract with God. This book launched what is now the fastest-growing genre in American publishing,"DC Comics said in a press release about Eisner's passing. He subsequently produced about twenty graphic novels, all of which noted for their lasting insights into the human condition and their artistic sensibilities.

"When someone of Will Eisner's caliber passes away after having lived a long, vital life of contributing to others, putting forth the best effort, teaching excellence, and exercising his God-given talents in a career of his own choosing, it's difficult to be entirely sad, particularly in light of the amazing legacy he's left to us. One of the great joys of my life has been the privilege to consider him a personal friend, and in that area it's impossible not to be simply devastated by the news of his passing. This sad event no doubt adds an even more special meaning to anyone fortunate enough to have won an award named after this wonderful and talented man. I know everyone here feels that way as well. I would like to express my thoughts and prayers for his wife, Ann, and his son, John, as well as his colleagues, and many friends," said Steve Geppi, President and Chief Executive Officer of Diamond Comic Distributors.

"Will Eisner didn't create Superman, Batman, Spider-Man or even Archie and Jughead. Some comic book fans may scratch their heads when asked to describe his work. But every artist and writer in comic books, as well as graphic artists across the entire spectrum of modern illustration, television and film, owes a debt to him," wrote Bob Andelman in the Will Eisner: A Spirited Life eNewsletter.

-- continued in next post --
« Last Edit: Sun, January 9, 2005, 10:25:24 by JCVaughn » Logged

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« Reply #5 on: Sun, January 9, 2005, 10:23:01 »

-- continued from previous post --



Eisner won the Milton Caniff Lifetime Achievement Award in 1995 and the National Cartoonist Society's Reuben in 1998. One of two of comic book industry award programs carry his name, the Eisner Awards. The other, the Harvey Awards (named after MAD's Harvey Kurtzman) provided a telling backdrop for Eisner's amazing and lengthy career. In 2001 on the same evening, he won the Harvey Award for "Best Reprint" for The Spirit Archives Volume 1 (stories published originally in 1940) and the award for "Best Graphic Novel" for Last Day in Vietnam, published by Dark Horse Comics in 2000, works created 60 years apart.

He never returned full-time to the Spirit, though he had been asked to do so many times. He joked that when he got the urge to do so, he would just lay down until the temptation passed. He did occasionally revisit the character over the years, including getting some of the top talent in the field to create new Spirit stories.

It's almost as difficult to succinctly describe Eisner's impact on the comic art world as it is to think of that world without him in it.
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« Reply #6 on: Mon, January 10, 2005, 13:37:43 »



Comic creator Alex Saviuk worked with Will Eisner on one of his last projects, an Escapist story which will be published by Dark Horse Comics. Saviuk wanted to share some of his memories of Eisner with PULSE readers.

Story:
http://www.comicon.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=003299#000001
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« Reply #7 on: Thu, January 20, 2005, 15:48:58 »

I must say that I was amazed to see that Mr. Eisner's passing warrented a line in People magazine.  A little recognition, but it was something in the mass media.
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